Villain Song: The witch is given a musical number entitled "Red Shoes Blues".Depending on the theatre's seatings, she would appear in either the front row, or (such as at the Adelaide Festival Centre) a balcony seat. Upon its 2011 debut, Andrew Lloyd Webbers spectacular new stage production of The Wizard of Oz dazzled London audiences and embarked on a course for. The Fourth Wall Will Not Protect You: In several productions, the witch actually briefly comes out into the audience during the "Surrender Dorothy" scene, even mocking the person seated next to her.Or Was It a Dream?: The musical ends with Dorothy finding the Ruby slippers inside a cupboard, confirming that Oz was Real After All.After Miss Gulch takes Toto, Dorothy dreams of a nicer place. "I Want" Song: "Nobody Understands Me," the opening number as Dorothy begs her Aunt Em, Uncle Henry and the three farm hands to help her as Miss Gulch is threatening to take Toto away after he bit her.Gender Flip: Some of the Winkies are played by women in the theatre version.Foreshadowing: In “Nobody Understands Me“ Hickory, Hunk and Zeke recall the time when they were watering the crops they turn on the hose on Miss Gulch (The Wicked Witch of the West’s real world counterpart).Tickets: 020 3925 2998 wizardofozmusical."That's something from my. The leads give it their all, without you ever fully feeling the jeopardy of the situation. The Wizard of Oz (2011 London Palladium Recording) Andrew Lloyd Webber Released The Wizard of Oz (2011 London Palladium Recording) Tracklist 1 Overture (Wizard of Oz). Elsewhere, although the interactions between Dorothy and a puppeteered Toto (there were real terriers in the last Palladium outing) don’t quite work, there’s plenty of appealing zest from Louis Gaunt, Ashley Banjo and Jason Manford as the Scarecrow, Tin Man and Lion. The most arresting feature is the Technicolor riot of video wizardry – or should that be Wii-zardry? You almost expect Mario to pop up amid the bonkers 3D landscapes, which include a green-saturated Big Apple-style Emerald City.Ĭhildren will love much of this – the digitised army of helmeted helpers for Dianne Pilkington’s snarling Wicked Witch are just the ticket, as is the vast pulsing motherboard via which Gary Wilmot’s Wizard exerts his boomy command. Not all of the invention works: played by adults, the Munchkins aren’t sufficiently endearing, while the Yellow Brick Road is a disjointed mess of arrow signs. Create your first playlist Its easy, well help you. In this, Foster spares no effort, almost over-compensating for the musical’s relative slightness. T his turbo-charged revival of Andrew Lloyd Webber and Jeremy Sams’ musical adaptation serves up a hybrid theatre-cum-cinema experience. Listen to Andrew Lloyd Webbers New Production Of The Wizard Of Oz on Spotify. But aside from a winning ballad (Already Home), they’re not especially memorable and don’t dig deep into all the emotional hinterland.Įffectively, the time-honoured appeal of L Frank Baum’s story carries the day, and what must keep us sated is the theatrical spectacle. The 2011 additions by Andrew Lloyd Webber and Tim Rice usefully bulk up an original score (by Harold Arlen and Yip Harburg) that ran out of puff halfway through. Nikolai Foster casts the vocally powerful actress Georgina Onuorah as the young heroine, and has her belting out Somewhere Over the Rainbow on a lonesome highway. And there’s more to chew on in the flipped, pro-Wicked Witch perspective of Stephen Schwartz’s stage blockbuster. It can’t compete with the affection in which the 1939 MGM film is held (who can match Judy Garland as Dorothy?). While I’m told that business is surprisingly good, when you consider that the top-price in the stalls is £165 (albeit cheaper seats, down to £10, are available), aren’t straitened families going to save their lucre for a hard-earned holiday? The other thought related to Wicked – and one reason why it’s arguably able to run year-round – is that as a stage-show The Wizard of Oz struggles to hold its own. The much-loved and magical story of The Wizard of Oz, spectacularly retold in our Made at Curve Christmas musical. If the best song in Wicked (the Wizard of Oz spin-off) is Defying Gravity, one involuntary thought when contemplating this summer-time outing for the originating classic is: aren’t its producers Defying Commercial Logic here? The Wizard Of Oz Sat - Sun Email ticket office Synopsis Click your heels together three times and say, ‘there’s no place like Curve this Christmas’.
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